By Lee Emory
Brace yourself. This is definitely one publisher's opinion piece. If you're an author over the age of 50, then you'll understand the points in this article, but if you're younger than 50, you may not have a clue or be able to relate to anything said here. ::Sigh::
Revisiting the right stuff. What is the right stuff?
There was a time when our vocabularies were more widely used in our writing. (I do not speak of five dollar words here, but common words used to vary sentences.) However, many of the books today reflect a disease I call Hollywood-itis. This disease encompasses using profanity in every other word of dialogue, or nearly so. Even many of our cartoons use inappropriate language and thus have become much less funny and some of them downright distasteful. Most of our current TV commercials are appallingly stupid, insulting anyone with even one side of their brain working and the other side dead. There is such a thing as producing something so stupid it's really not funny. It's pathetic. Have I ever purchased anything after watching one of those idiotic commercials? No. Never.
Many of the book signings and conferences I attend and participate in become great forums for hearing what the buying public wants. I constantly hear from people buying books that they are sick to death of filthy language, among other things. Many ask me about such content in my books before they'll buy and I don't blame them for asking. I'm glad they do. Many of them tell some of the books they've bought are not only offensive, but distracting. It yanks them right out of the story.
"Oh, but our culture has changed," some of you shout at me. "Our dialogue wouldn't sound real unless we incorporate trash language into our writing."
Nonsense.
Clear, concise writing and wordsmithing does not depend on profanity for its success.
"You are moralizing!" someone just shouted at me. I can hear you. Call it what you want. The fact is liberal profanity in any written work lacks class and intellect in the rendering. Good writers get their point across without the heavy overuse of it. You have only to read the classics to know the truth of this. They are still classics. Gee, I wonder why? Does it really take a genius to figure this out?
I once received a young adult submission that was so chock full of profanity, which is the way many young people speak today, that I insisted the author make revisions or it wouldn't be acceptable for publication in my company. Her argument was that the dialogue wouldn't sound real. Again I say nonsense. Do you mean to tell me that if a young person is reading a book full of exciting, active words showing them a story they're really getting into, that they miss hearing the filth? If it's a good book, chances are those young readers won't miss what's not there, but they will read and enjoy what IS there. If they can't enjoy a book without that sort of language, then what does that say for their upbringing, their mindset and education? Not a great deal to recommend it, I'd say. How much of that stuff are they hearing at home? This has become another facet of the breakdown of our education in America. But that's a whole other article.
Authors, you have the opportunity to "Revisit the Right Stuff" in your books. Show readers how really talented you are at crafting a wonderful, memorable book that won't have to be packaged in a plain brown wrapper and hidden from your children or your grandmother. Encourage all your author friends to use active verbs and engaging scenes in their works. Encourage all authors you know into getting back to CLASS writing. If you're showing anger, show it, don't shout it at the reader in the form of disgusting profanity to get your point across. Give your characters enough dialogue and animation to show us they are angry or in a rage. In today's environment, this is a challenge to many of you. Step up to it. Show us your right stuff.
The Exceptions
I envision a lot of tongues in cheeks out there at this point, so let me further clarify. When I speak of disgusting profanity, I am not talking about the occasional damn or hell used in dialogue. Those expletives do not conjure up demeaning or sexual images in a reader's mind and they are as common as apple pie. A helpmate to blowing off steam. One still does not have to use expletives, but these are far less distracting and offensive to a reader than some of the other profane words, which I will not mention here for obvious reasons. You've all heard and read them.
On the other side of the coin are authors and readers who tell me they are not bothered by foul language in books. Fine, but there are far more people who are, and why should we authors not try to write our very best for them instead of turning them off reading altogether? I've seen this happen too many times and it's heartbreaking; it's also damaging to the industry as a whole. People won't buy books, if they no longer read for the sheer want of quality books.
I'm not saying books have to be syrupy sweet. Not by any means. In certain suspense and thrillers, profane words occasionally spoken by the villain or antagonist can be sometimes tolerated, even by the most prudish reader, because those awful characters would most likely speak that way. But the key word here is occasionally. It is unnecessary to overuse foul language, even in our dastardly characters. Hone your vocabulary, instead, to draw your villain well without all that. However, your heroes and heroines will rarely use profanity or they won't sound like heroes and heroines.
One of the exceptions might be if a hero is about to be shot full of holes. He wouldn't say "Oh, shucky darn," would he? No, so let's be realistic here. In my thriller NIGHT FREEZE, the word my main character uses as an expletive appears only once in the entire book, and it's not the "F" word. Even my extremely warped serial killer comes across as one scary dude without my using a lot of profanity. A challenge to write indeed, but it can be done. As a publisher and senior editor I long to see higher quality writing that took some real thought, some real blood, sweat and tears To make it the right stuff.
Lee Emory is an author of ten novels, numerous short stories and articles, who is also a professional editor for 40 years. She is the owner of/Senior Editor for Treble Heart Books Publishing. Lee teaches writing workshops and speaks at numerous writers’ conferences. Visit Treble Heart Books or email leeemory@earthlink.net to learn more.
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